Year in Review (Goals Achievement)

Wednesday, December 21, 2011 0 comments
This is one of those end-of-year posts that lots of people do, looking back at the goals set in January to see if they were reached (or, rather, which were reached, which is a much more positive outlook).  So, without further ado:

1.Finish the wholesale catalog and reformat patterns into shape. Start contacting LYSes with the catalog and sign up at least 10 by the end of the year to sell my patterns wholesale.

I did this (several times), and managed to sell patterns to a few shops (3) but have completely failed at getting a distributor to pick me up.  I'm a bit disgruntled and demoralized by the whole thing and have decided, in the end, to forgo the whole print wholesale end of things in favor of other work.  The payoff has just not matched the effort.

2.Get a book proposal accepted. I have about three or four that I'll be proposing in the next months, and I want to have at least one of them accepted by the end of the year.
Still haven't proposed these, largely because I haven't set myself deadlines for sending them in.  I'm shifting this goal to 2012.

3.Self-publish 12 patterns, either new ones or published ones that have returned rights to me. I currently have three KnitCircus patterns plus two new wraps at the TE's, so am well on my way here.
Woohoo! Exactly 12 up for sale on Ravelry in 2011!

4.Have 4-6 patterns accepted for publication. I'd love to see if I can get into more books, but am also nurturing relationships with some of the monthly/bimonthly magazines who need a lot of patterns.
14 patterns published in 2011, with two more in press for early 2012. (This is why the self-publishing just squeaked in and the books didn't get proposed)

5.Work with smaller but established yarn companies who publish patterns based on their yarns. I feel like this is an area that I haven't pushed very much and would like to expand into.
Not much work here, though I do have some connections that I'm continuing to pursue.

6.Submit 6-10 patterns for the KnitPicks Independent Designer Program. I have five that need to be written up, tested, edited, and posted, so am at least partway there!
I now have 5 patterns in the IDP, of which 3 have been added this month (photos in this post!).

7. Develop regular clients in my tech editing business.
This is definitely true: see my page of published patterns that I've edited to see the somewhat impressive list!

8.Continue to participate in the Phat Fiber boxes. Last year I had wanted to be in 9 boxes, but this year I'm being a bit more conservative - say, 6? I'm already missing January because I just wasn't inspired and had no time.
Not sure how many I did this year, honestly. At least 4...

9.This may be in opposition to the above one, but I also want to make 2011 a major stashdown year.
Let's just ignore this goal, shall we?  I've actually been very good about not purchasing yarn or fiber.  The downside of doing so much design for magazines and books, though, is that they provide the yarn and so if anything it ends up being stash-positive (from leftovers)!
10.Get the Katherine Vaughan Designs website really in shape and running.
It's up and running - comments are always welcome!  http://www.ktlvdesigns.com

11.Become active in and develop networking contacts through other members of the Association of Knitwear Designers, which I was accepted into in December.
I'm actually fairly irritated about this one.  I applied to the AKD in late fall of 2009, heard nothing for a long time, was finally accepted (with a slightly snarky note that included the line "you clearly love to knit, but..."), and then within two weeks of receiving my acceptance I was notified that the AKD was folding.   But they kept my money, even though I would receive absolutely no benefits (and did a lot of work).  They haven't even updated the website to reflect the fact that the group is completely defunct!  

Remembering Pearl Harbor (1)

Wednesday, December 07, 2011 4 comments
Today on my way in to work NPR and the BBC were covering various stories about Pearl Harbor (Dec 7, 1941), which was up until 9/11/2001 the worst single-event attack on the United States in our nation's history.  The thing that struck me about these remembrances was how few people of even my parents' generation have the kind of visceral reaction to December 7th as my grandparents do - and as Americans alive on 9/11 do now.

The attack on Pearl Harbor, and the greater suite of events that made up World War 2, had a profound effect, though, on my family.  These are lasting effects that you can see not just in the lives of my grandparents who lived through it (interestingly, neither of my grandfathers fought in the war), but also in the lives of my parents and even in myself and my husband.  I'm interested in recording some of the lore as I remember it (and that's somewhat faulty, as my mother reminds me often).

The most obvious interaction of my family with the War in the Pacific comes actually from my husband's family, specifically his father and grandmother.  My grandfather was born in the Philippines in September 1940 (we think) to two American expatriates.  It seems that my husband's grandmother (Elizabeth) was something of a wild child and drifter, and she had moved to the Philippines some time before, where she met and eventually married Milton (grandfather, an engineer who was working on, I think, bridges there) and had two children.  Aunt Beth would have been about 2 on Pearl Harbor Day; Clay (father) was a little over 1.

There are interesting stories about Milton (who went on a business trip to Manila, got stuck there, joined the Army, was promptly captured, survived the Bataan Death March and died as a POW) and Elizabeth (I'll write about her later), but today I'm interested in my father in law, Clay.  When he was 2 years old (and Beth about 3), the three of them were captured by the Japanese and put in a civilian camp.  The stories of how they survived are horrific (See this entry, with a memory from Clay, in the book Civilian Prisoners of the Japanese in the Philippine Islands: Years of Hardship, Hunger, and Hope January 1942-February 1945).  Clay would occasionally tell anecdotes of his time there that chilled me - things I didn't want my own children to hear. 

The more I read about the particular camp that Clay, Beth, and Elizabeth survived, the more I am horrified about one person will do to another in the name of power.  And then I ran across this class action complaint by the US citizens stranded by the US in the Pacific in the lead up to Pearl Harbor and am even more horrified.  Here's the section about my husband's family:
3. Milton Clay, Elizabeth, and Beth Vaughan


89. Plaintiff Milton Clay Vaughan (“Clay”) was born on September 8, 1940, in Iloilo, the Philippines. His parents, Elizabeth Head Vaughan (“Mrs. Vaughan”) and Milton James Vaughan (“Mr. Vaughan”), were both American citizens. Mr. Vaughan worked as a civil engineer for the Pacific Commercial Company. Soon after Clay’s birth, his family moved to Bacolod, the provincial capital of Negros Occidental on Negros Island, located in the mid-Philippines. Now that they had an infant child, the Vaughans made general inquiries about the safety of remaining in the Philippines. They were reassured by American officials that they were perfectly safe.

90. In early December 1941, Mr. Vaughan was sent to Manila on a business trip. On December 7, eight hours after the bombing of Pearl Harbor, the Philippines was attacked by the Japanese and Mr. Vaughan was unable to return to his family. He then enlisted in the United States Army. Mrs. Vaughan was left to care for Clay, just over 1 year old, and his sister, Beth, 2.

91. Clay and his mother and sister were rounded up by the Japanese army and sent to the Fabrica camp in Bacolod. On March 2, 1943, Clay was taken, along with his family and many other internees, to Bacolod Pier to be transferred to Manila. The boat was covered in a layer of crude oil from leaking barrels which had been loaded on the boat just before the internees arrived. There were no beds or pillows, so two-year-old Clay slept on the oil-covered hard wooden floor. There was not enough space for everyone to lie down, so the adults took turns lying down for part of the night. There were no toilet or bathing facilities on the boat, and the internees were not fed by the Japanese. The internees lived in the cramped quarters of the boat for five days before the boat even left the pier. Shortly before the boat left, pigs were brought on board and placed below the steps used by the internees, adding to the already filthy conditions. The boat arrived in Manila on March 10, 1943.. The internees were taken to Santo Tomas internment camp, where Clay experienced hardships similar to those of the other internees previously discussed.

92. One day when four-year-old Clay was playing outside, a Japanese soldier walked by, whom Clay did not see. The soldier kicked the child. Clay, who was too young to understand all the rules of the Japanese, did not know why he had been kicked until his mother came out and explained to him that the soldier kicked him because he did not get up and bow when the soldier walked by, as the internees were required to do. All internees were also ordered never to look at planes flying overhead. App. 34, p. 108.

93. Under the military orders governing the camp, the Japanese soldiers in charge were generally not allowed to kill prisoners. However, any person who showed signs of rebellion against Japan could be summarily executed by the prison guards. Accordingly, the Japanese guards encouraged and tried to bribe internees to reveal the names of persons who were critical of, or had a derogatory attitude toward, the Japanese. One day the Japanese soldiers took Clay to a restricted area, encouraging the child to claim that his mother had said derogatory things about the Japanese. Clay was asked what his mother had said the previous night. Clay said nothing, but shook his head to signify that she had not said anything. A soldier then pulled out one of the child’s fingernails, and then repeated the question. Although only four years old, Clay withstood the pain and steadfastly refused to say anything that would implicate his mother.

94. After liberation, Clay, Beth and Mrs. Vaughan were given transport back to the United States, but prior to departure Mrs. Vaughan was required to sign a promissory note in the amount of $825.00 to the government as payment for their voyage. Mrs. Vaughan was also required by the United States Army Counterintelligence Corps to sign a paper promising that she would not reveal information about the internment for at least 40 years. She learned that her husband Mr. Vaughan, who had enlisted in the U.S. Army and survived the Bataan Death March, died in the summer of 1942 in Japanese hands as a prisoner of war.
There are so many things to be horrified by in this narrative.  But here are two things that I hadn't known before: 1: The US assured its citizens that they were safe, when they obviously were not. 2: When my father in law was a toddler, his father went on a business trip and never came home, because of the events of this date. This date, that lives in infamy, even now.

Stream of consciousness: Noro book

Saturday, December 03, 2011 0 comments
  1. I am ineligible to participate in the Amazon Affiliates program, because I live in North Carolina.  WTF?
  2. The cover photo for Knit Noro: Accessories on Amazon, Ravelry, and in real life is my hat.  The cover on the book being sold by KnitPicks is a completely different hat!
  3. None of the promotional pictures from Sixth & Spring or KFI (the US distributor for Noro) include that hat.  But they only show 1/3rd of the patterns, so it possibly is in there, just not highlighted.
  4. I feel very sorry for the designer of that hat, if she's all excited about having a cover and then it's not to be.
  5. But what if I'm the one being led?  Ack!
  6. I clearly NEED a copy of this book, and cannot wait for my designer copy to show up.
  7. I'm assuming I get a designer copy.
  8. Anyone with the book want to do a designer interview? I'm game!
  9. But first on my plate is watching McGuyver and knitting.
  10. And pie.  If you're not familiar with my love of pie, you haven't been reading the blog since the beginning.  I recommend this post in which I identify with Harold (of purple crayon fame) and discuss the pain of Thanksgiving in a family of non-pie eaters (upside? more for me!).

Riverbed Rib Hat (Knit Noro: Accessories)

Thursday, December 01, 2011 0 comments
I have a new pattern out in a book collection - and I am completely excited as this is my first solo cover - and on a lovely book, too!  The pattern is the Riverbed Rib Hat (link to Ravelry) and it's in Knit Noro: Accessories (link to Amazon).  There are 29 other patterns in the book that are all relatively small projects done in various Noro yarns, including things to wear, to carry, and to use at home.  Enjoy!

@ Sixth & Spring

Technical Editing Insights: Time to Edit

Wednesday, November 30, 2011 1 comments
One of the common things I'm asked by new clients is how much time I think it will take to edit their pattern(s).  This is a really hard thing to estimate, because the amount of time any given pattern depends on several factors:
  • Clarity & consistency of writing
  • Number of errors (The more errors you have, the longer it takes)
  • Amount of math to be checked (shaped garments need more time)
  • Complexity of the stitches (fully lace shawls take a LONG TIME because every row of the chart has to be checked against every row of the written instructions)
  • Internal consistency & consistency with "knitting normal"
Out of curiosity I decided to go back into my last 60 patterns edited to see what sorts of things I tend to edit and how long they take.  Here's a breakdown by type:


You can see here that, unsurprisingly, the average amount of time it takes to edit something increases as shaping and stitch patterns increase.  Things like hats and scarfs are pretty simple and take not much time, while shawls and tops (either for children or adults) require me to haul out my calculator and do arithmetic.

But this doesn't tell the whole story.  Here are the breakdowns for time spent on the 17 shawls and 11 adult tops:


As you can see, the shawls have a relatively smooth range in their time to edit, with 9 of the 17 taking less than an hour (5 of these took 36 minutes), and 8 of the 17 taking an hour or more.  Shawls are interesting to edit (and knit) because, while their shaping is usually pretty simple (short-row ones notwithstanding), their stitches are often very complex.  Included in this count are stockinette-plus-lace-border as well as true-lace-patterning-on-both-sides-all-the-way-through ones.  The latter take a lot longer.

Adult tops, on the other hand, are mostly clustered somewhere in the 1-2 hour range, with two obvious outliers at under an hour and nearly 5 hours.  That 5 hour one was for a new designer with an unusual construction and several different lace stitches; the 45 minute one was an extremely simple tee with minimal shaping.  To be even more precise, of the 11 that I did in the last six months, 6 took 84-96 minutes total.

So what should I be telling clients about how long their edits will take?  I suppose I can use these stats to give an average amount of time by type of garment, but even then there are going to be outliers one way or the other.  Also keep in mind that not all of my clients receive their invoices online (this only counts PayPal invoices), and I'm not done with a bunch of ones that just came in this week, so the methodology isn't perfect (but when is it?).
 

Looking back at November's Goals

Monday, November 28, 2011 0 comments
Just a quick accountability post!  Here's what I said I wanted to do for November, with notes on what actually happened:

  1. Samples and pattern sent to KnitCircus ahead enough of time that I can use Priority not Express mail. I've swatched for half of the samples and am stuck until I can find a specific stitch dictionary to see how something has been done before, before I can write out the stitch for the second. Got a reprieve on this one - the KC samples are now due for a different type of project on March 1st.  This was initiated by KC, and I don't feel like I should spill what kind of project, but I'm excited about it!
  2. Sweater for DS. He's small (small for a person, not for his age), so that won't be a huge undertaking. This means knit the sweater, write the pattern, send it to the TE, get testers. I hear the dryer dinging; that means the swatches are dry! Yeah, or not. Instead I got a commission from a magazine and worked on that.  I did get through most of the back of the sweater, and will come back to it in December.
  3. Finish the patterns for KP that have been hanging around my neck. These are a vest, hat, scarf/hat/mittens, purse, and child's outfit. Partially complete - the purse and child's outfit are at KP, and I've gotten word that they've been accepted.  Still need to do the vest, hat, and set.
  4. Set the handspun that is waiting to be set. (Hey, look! Halfway there!)  Yes! I did this!
  5. Spin 8oz by the end of the month.  No clue, but given how much I did spin, I'm guessing that this goal was reached.
  6. Figure out Xmas gifts for people, including any that should/can be knit. Nope, though the DD wrote out her list.  We did identify a number of crafty things that we could do - including making jam!
  7. Mail Parallel her dang present from last year's Xmas, birthdays, and baby arrival! Does it help that I've pulled everything together, I just haven't actually mailed it yet?  Also need to mail off my Secret Elf swap package to my PhatFiber buddy...
  8. Get back to my preferred turnaround on tech editing of 4 days, not 7-8. Yes! After a marathon amount of tech editing this month I am now back to turning things around in less than a week, preferably 4 days.  My friend Joeli is on maternity leave, so I'm (temporarily) picking up a few of her clients, but I'm doing a better job of managing my time so they don't slow things down.  It does get in the way of knitting, though!

 

Thank you!

Thursday, November 24, 2011 0 comments
I have much to be thankful for, including a (generally) healthy and happy family, warm home, stable jobs for myself and my spouse, good friends and family who are close, and time, space, and funds enough to pursue my second career and hobbies.  A few years ago I discovered a love of technical editing for knitting patterns, and since then have built a small but thriving freelance business working for a number of independent knitting pattern designers.  I wanted to give a shoutout to some of these clients who have stuck with me over time - it is immensely gratifying to see them grow as designers (and, many of them, as moms and business owners!). 

I tried to give you a short list of my favorites, but I just can't do that - both because it's not a SHORT list, and because I kept looking at my clients list and couldn't figure out who not to include!  Instead, take a look at the list of Published Patterns from Clients on my website - this is an amazing collection of wildly creative and very tolerant of criticism women who deserve your attention!

Thank you, all of you, and Happy Thanksgiving!

Copyright Notice

All content in this blog, including patterns and photos, is the intellectual property of Katherine Vaughan. All rights under US Copyright Law are reserved. Please contact the author with questions about use of patterns for teaching classes. You are welcome to use items knit from any pattern for charity or cottage crafting, with the statement "design by Katherine Vaughan" appreciated.